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	<title>Martin Gayford - Art Critic</title>
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		<title>Bronze at the Royal Academy</title>
		<link>http://www.martingayford.com/2012/09/20/bronze-at-the-royal-academy/</link>
		<comments>http://www.martingayford.com/2012/09/20/bronze-at-the-royal-academy/#comments</comments>
		<pubDate>Thu, 20 Sep 2012 17:21:28 +0000</pubDate>
		<dc:creator>martin</dc:creator>
				<category><![CDATA[The Daily Telegraph]]></category>

		<guid isPermaLink="false">http://www.martingayford.com/?p=950</guid>
		<description><![CDATA[Olympians and Paralympians may go for gold, but sculptors prefer bronze. Hard, beautiful and possible to cast in the finest detail, this greyish copper alloy has been one of the most popular sculptural materials for centuries, as the Royal Academy&#8217;s &#8230; <a href="http://www.martingayford.com/2012/09/20/bronze-at-the-royal-academy/"><span class="meta-nav">&#62;&#62;</span> Continue reading </a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Invisible Art Show is Filled With Jokes in London: Review</title>
		<link>http://www.martingayford.com/2012/07/06/invisible-art-show-is-filled-with-jokes-in-london-review/</link>
		<comments>http://www.martingayford.com/2012/07/06/invisible-art-show-is-filled-with-jokes-in-london-review/#comments</comments>
		<pubDate>Fri, 06 Jul 2012 16:16:10 +0000</pubDate>
		<dc:creator>martin</dc:creator>
				<category><![CDATA[Bloomberg]]></category>

		<guid isPermaLink="false">http://www.martingayford.com/?p=942</guid>
		<description><![CDATA[As you might expect, there’s not a lot to look at in the new exhibition, “Invisible: Art of the Unseen 1957-2012,” at the Hayward Gallery in London. It abounds in empty galleries, blank canvases and unoccupied sculptural plinths. A sensual &#8230; <a href="http://www.martingayford.com/2012/07/06/invisible-art-show-is-filled-with-jokes-in-london-review/"><span class="meta-nav">&#62;&#62;</span> Continue reading </a>]]></description>
		<wfw:commentRss>http://www.martingayford.com/2012/07/06/invisible-art-show-is-filled-with-jokes-in-london-review/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>The Royal Academy Hockney Exhibition</title>
		<link>http://www.martingayford.com/2012/07/06/the-royal-academy-hockney-exhibition/</link>
		<comments>http://www.martingayford.com/2012/07/06/the-royal-academy-hockney-exhibition/#comments</comments>
		<pubDate>Fri, 06 Jul 2012 16:12:02 +0000</pubDate>
		<dc:creator>martin</dc:creator>
				<category><![CDATA[Country Life]]></category>

		<guid isPermaLink="false">http://www.martingayford.com/?p=938</guid>
		<description><![CDATA[Martin Gayford talks to David Hockney about his new exhibition at the Royal Academy David Hockney, seen here with the author, is still frequently associated with Los Angeles, where he lived during the 1980s and most of the 1990s. However, &#8230; <a href="http://www.martingayford.com/2012/07/06/the-royal-academy-hockney-exhibition/"><span class="meta-nav">&#62;&#62;</span> Continue reading </a>]]></description>
		<wfw:commentRss>http://www.martingayford.com/2012/07/06/the-royal-academy-hockney-exhibition/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Gerhard Richter’s Dark Past, Zen Clouds Intrigue at Tate: Review</title>
		<link>http://www.martingayford.com/2012/07/06/gerhard-richters-dark-past-zen-clouds-intrigue-at-tate-review/</link>
		<comments>http://www.martingayford.com/2012/07/06/gerhard-richters-dark-past-zen-clouds-intrigue-at-tate-review/#comments</comments>
		<pubDate>Fri, 06 Jul 2012 16:09:14 +0000</pubDate>
		<dc:creator>martin</dc:creator>
				<category><![CDATA[Bloomberg]]></category>

		<guid isPermaLink="false">http://www.martingayford.com/?p=934</guid>
		<description><![CDATA[Painting, according to some, has long been as defunct and deceased as Monty Python’s parrot. That doesn’t stop this allegedly ex-art form carrying on regardless. The big new exhibition “Gerhard Richter: Panorama” at Tate Modern in London presents a life time’s tally &#8230; <a href="http://www.martingayford.com/2012/07/06/gerhard-richters-dark-past-zen-clouds-intrigue-at-tate-review/"><span class="meta-nav">&#62;&#62;</span> Continue reading </a>]]></description>
		<wfw:commentRss>http://www.martingayford.com/2012/07/06/gerhard-richters-dark-past-zen-clouds-intrigue-at-tate-review/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>David Hockney Interview</title>
		<link>http://www.martingayford.com/2012/07/06/david-hockney-interview/</link>
		<comments>http://www.martingayford.com/2012/07/06/david-hockney-interview/#comments</comments>
		<pubDate>Fri, 06 Jul 2012 16:03:12 +0000</pubDate>
		<dc:creator>martin</dc:creator>
				<category><![CDATA[The Daily Telegraph]]></category>

		<guid isPermaLink="false">http://www.martingayford.com/?p=931</guid>
		<description><![CDATA[Almost 40 years ago, David Hockney made a marvellous etching of himself and Pablo Picasso. The two of them are sitting at a table in front of a window, the aged Spanish artist dressed in a stripy sailor’s shirt and &#8230; <a href="http://www.martingayford.com/2012/07/06/david-hockney-interview/"><span class="meta-nav">&#62;&#62;</span> Continue reading </a>]]></description>
		<wfw:commentRss>http://www.martingayford.com/2012/07/06/david-hockney-interview/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Turner, Claude Vie in London Show of Luminous Landscapes</title>
		<link>http://www.martingayford.com/2012/07/06/turner-claude-vie-in-london-show-of-luminous-landscapes/</link>
		<comments>http://www.martingayford.com/2012/07/06/turner-claude-vie-in-london-show-of-luminous-landscapes/#comments</comments>
		<pubDate>Fri, 06 Jul 2012 15:56:37 +0000</pubDate>
		<dc:creator>martin</dc:creator>
				<category><![CDATA[Bloomberg]]></category>

		<guid isPermaLink="false">http://www.martingayford.com/?p=924</guid>
		<description><![CDATA[There’s a surprising vogue in London for exhibitions designed to make Britons look bad. Hard on the heels of “Picasso and Modern British Art” at Tate Britain &#8212; documenting how Pablo thought of everything first and did it better &#8212; &#8230; <a href="http://www.martingayford.com/2012/07/06/turner-claude-vie-in-london-show-of-luminous-landscapes/"><span class="meta-nav">&#62;&#62;</span> Continue reading </a>]]></description>
		<wfw:commentRss>http://www.martingayford.com/2012/07/06/turner-claude-vie-in-london-show-of-luminous-landscapes/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Damien Hirst’s Shock Loses Bite As Shark Joins Skull In London</title>
		<link>http://www.martingayford.com/2012/07/06/damien-hirsts-shock-loses-bite-as-shark-joins-skull-in-london/</link>
		<comments>http://www.martingayford.com/2012/07/06/damien-hirsts-shock-loses-bite-as-shark-joins-skull-in-london/#comments</comments>
		<pubDate>Fri, 06 Jul 2012 15:53:21 +0000</pubDate>
		<dc:creator>martin</dc:creator>
				<category><![CDATA[Bloomberg]]></category>

		<guid isPermaLink="false">http://www.martingayford.com/?p=922</guid>
		<description><![CDATA[If nothing else, Damien Hirst is good at titles. His best-known piece, the shark in formaldehyde, is called “The Physical Impossibility of Death in the Mind of Someone Living.” As I walked round the retrospective of his career to date at &#8230; <a href="http://www.martingayford.com/2012/07/06/damien-hirsts-shock-loses-bite-as-shark-joins-skull-in-london/"><span class="meta-nav">&#62;&#62;</span> Continue reading </a>]]></description>
		<wfw:commentRss>http://www.martingayford.com/2012/07/06/damien-hirsts-shock-loses-bite-as-shark-joins-skull-in-london/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<item>
		<title>Animated Hockney Ipad drawing here now!</title>
		<link>http://www.martingayford.com/2011/09/29/animated-hockney-ipad-drawing-coming-soon/</link>
		<comments>http://www.martingayford.com/2011/09/29/animated-hockney-ipad-drawing-coming-soon/#comments</comments>
		<pubDate>Thu, 29 Sep 2011 10:30:08 +0000</pubDate>
		<dc:creator>martin</dc:creator>
				<category><![CDATA[blog]]></category>

		<guid isPermaLink="false">http://www.martingayford.com/?p=875</guid>
		<description><![CDATA[ This drawing &#8211; reproduced on page 199 of A Bigger Message:Conversations with David Hockney, was drawn by David Hockney on his ipad. To see the iPad drawing illustrated on page 199 re-draw itself click here, with the picture being built &#8230; <a href="http://www.martingayford.com/2011/09/29/animated-hockney-ipad-drawing-coming-soon/"><span class="meta-nav">&#62;&#62;</span> Continue reading </a>]]></description>
		<wfw:commentRss>http://www.martingayford.com/2011/09/29/animated-hockney-ipad-drawing-coming-soon/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>A Bigger Message: Conversations with David Hockney</title>
		<link>http://www.martingayford.com/2011/09/19/a-bigger-message-conversations-with-david-hockney/</link>
		<comments>http://www.martingayford.com/2011/09/19/a-bigger-message-conversations-with-david-hockney/#comments</comments>
		<pubDate>Mon, 19 Sep 2011 16:07:31 +0000</pubDate>
		<dc:creator>martin</dc:creator>
				<category><![CDATA[blog]]></category>

		<guid isPermaLink="false">http://www.martingayford.com/?p=830</guid>
		<description><![CDATA[I&#8217;m proud to say that my new book, A Bigger Message: Conversations with David Hockney, is out soon with Thames &#38; Hudson. The record of a decade of conversations with the painter David Hockney, it reveals the fruits of his lifelong &#8230; <a href="http://www.martingayford.com/2011/09/19/a-bigger-message-conversations-with-david-hockney/"><span class="meta-nav">&#62;&#62;</span> Continue reading </a>]]></description>
		<wfw:commentRss>http://www.martingayford.com/2011/09/19/a-bigger-message-conversations-with-david-hockney/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
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		<item>
		<title>Chopped Masterworks Reassembled in London Show</title>
		<link>http://www.martingayford.com/2011/08/16/chopped-masterworks-reassembled-in-london-show-martin-gayford/</link>
		<comments>http://www.martingayford.com/2011/08/16/chopped-masterworks-reassembled-in-london-show-martin-gayford/#comments</comments>
		<pubDate>Tue, 16 Aug 2011 11:13:45 +0000</pubDate>
		<dc:creator>martin</dc:creator>
				<category><![CDATA[Bloomberg]]></category>

		<guid isPermaLink="false">http://www.martingayford.com/?p=812</guid>
		<description><![CDATA[Is an art gallery the right place to look at old pictures?
“Devotion by Design: Italian Altarpieces Before 1500,” an exhibition at the National Gallery in London, raises that question. Museums are full of objects that some people would say are in the wrong context. They are no more natural a habitat for many of their exhibits than zoos are for tigers. <a href="http://www.martingayford.com/2011/08/16/chopped-masterworks-reassembled-in-london-show-martin-gayford/"><span class="meta-nav">&#62;&#62;</span> Continue reading </a>]]></description>
		<wfw:commentRss>http://www.martingayford.com/2011/08/16/chopped-masterworks-reassembled-in-london-show-martin-gayford/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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